Been here before
I recognise this scenario:
Idea for book – yes
Research for book – yes
Characters – yes
High level idea of what happens – yes
Story – ummm, no. Not really.
Frustrating – yes, just a bit…
Do I just want to get on with the writing… oh, do I ever.
So I’m the ‘this is a total mess’ stage again. But at least I know this is normal (for me, anyway). I have a new stack of books I’ve ploughed through that get me maybe a third of the way there. Another stack for the next part, and about five more coming that might give me a different narrative thread. And I have sheets of paper with scribbled notes to myself. Like ‘Леся [I’ve just ordered a second keyboard and these little sticker things so I have have a Cyrillic keyboard. Going to save me so much time with character names – don’t worry, they’ll end up Anglicised, I’m just reminding myself all the time who these people are…wow, that was a long note] has something of value?’ ‘What’s the hook for the narrative?’ ‘Need a thread to pull through the first part.’
When I said ‘not really’ to the story part, it wasn’t quite accurate. What I don’t know is how to tell the story. Here’s what’s on the menu at the moment:
- Twin narratives of two characters living on different continents at first – from their perspective or all in third person? What do I want you to know when? What do they know when?
- Or three characters – but then I lose the sense of two stories heading towards each other. Unless, of course, I decide that they never meet. Just to annoy you.
- How many sub-plots can I juggle (a lot less than I
- Two time periods – no, done that. And not right for this story anyway
- Have overlap with character whose story comes out in another book
The biggest two lessons I’ve learned from writing the first book are probably
- This bit takes time, for a reason. Rushing doesn’t help. Drinking cups of tea does. Plus this is the part where I get to read loads, so who cares if it takes a bit longer?
- It’s a lot easier to write out the outline of a series of scenes and then think, nah, that doesn’t work, let’s try it a different way and see if that’s better. Writing out those scenes in full turns into folders full of scenes that don’t go anywhere. I tried the ‘write by the seat of your pants’ approach and it doesn’t work for me. I do need to know how I get from beginning to end. If I then change things (as I will, probably many times) along the way or afterwards, that’s fine because I have the main narrative to keep me straight. And the ending can always change anyway.
I will still cheerfully say to my family every morning, ‘Right, today I need to get this plot sorted,’ and every time, I fully intend to. Fortunately they don’t ask me how that went in the evening. As long as dinner is on the table, I can ruminate to my heart’s content on whether Serhii is going to be dead or written out the next day. And nobody will ever know what might have become of him.
And I get to learn some Ukrainian along the way. I’m still trying to figure out this alphabet and prove that the certain letters are most definitely not pronounced the same every time. Seriously, И sounds different every time I come across it. And I haven’t even got started on the grammar yet. Or verbs, for that matter. As I am patiently reminded, I’ve only been doing this for two weeks. This too, needs its time.