Several thousand words (sort of)

If a picture tells a thousand words, this is going to be a long blog today. I thought it was time for an update on the photography project, which I’ve now accepted is something which is currently being fitted into the odd minute and random walk rather than having dedicated time set aside for it. If you remember, the point is to use an old camera (in my case, it’s about 50 years old), one lens and one type of (black and white) film. And I do the developing and scanning myself. Film three was developed this morning. I’ve already learned from experience that you never touch the negatives, they take longer to dry than you think they should, and I’m sticking with my original expectation that I will be happy if two or three photos turn out anywhere close to how I saw the picture in my head. Black and white is a different experience from colour photography. I have a lot to learn.

Apart from taking pictures of the family, it appears there are a few things my eyes seem to be drawn to. One is juxtaposition. So I liked the graffiti next to the tattoo parlour – kind of like a tattoo on the building:

Film 3 028

Edinburgh is a beautiful city. There are an awful lot of photos out there of the stunning parts – the architecture, the history of the city. And yet within a couple of hundred metres of the modern office blocks, the historical buildings, the tourist traps, there are derelict buildings and an entirely different view of Edinburgh. For some reason, that’s what I see when I have camera with me:

Film 3 026

Film 3 017

And finally, I’m trying to see the strong black and white shapes and patterns (even though they show up every speck of dust on the negative or scanner)Film 3 015:

Film 3 013

I came across a wonderful photography book recently after we were out for breakfast on a Saturday, which turned out to be more of a lunch judging by the time we got there. The girls wanted to pop into some of the charity shops, and after Camille prompted me about ten times, I eventually looked at the very large book called “Chromo” which was on the top of the bookshelves, wedged between gardening books. It turned out to be a huge number of photos all on the theme of colour, with sections devoted to one colour, and of course at a price nowhere close to the original one, even though it was in perfect condition. I hadn’t seen photos presented in that way before and since then, as well as looking for black and white shots, I’ve also been seeing concentrated colours more frequently. So here are a few first attempts at simplifying an image to focus on a dominant colour:





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