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A year of photography

The other project I’ve had on the go in the background has just passed its one year mark. My dalliances with black and white film photography have been fun, even if I haven’t taken quite as many photos as I optimistically planned to at the outset. But this is strictly for fun and learning so it doesn’t really matter. It has, however, helped that LoLo decided to do her class project around the same thing so we have been spotted in similar locations with similar cameras throughout the year, even if she has gone over to the dark side and embraced autofocus, auto exposure and auto winding on, leaving me with the manual everything camera. I’ve now taken to referring to her current favourite camera as ‘that piece of plastic junk you keep using’ just so she can remind me how much better she finds it. At least I’ve managed to ensure she puts a decent (non-zoom) lens on the front of it so at least she has to think about where she’s standing instead of just zooming in and out.

Anyway, a year on and I’ve had one of the cameras with me a lot of the time, including trips to London and Berlin. It was supposed to be one camera for the whole time, but I got a second, different one, so LoLo and I had the same one for a while and it was so inexpensive it would have been silly not to get it. Plus it’s brilliant.

My hit rate has increased from 4 or 5 per roll of film to a much better ratio. There are still some duds in there where I think ‘have I learned nothing?’ and others where I’ve consciously tried something different and it hasn’t worked quite as I had hoped. The picture you see in your mind is not always what the camera tells you is actually there. In some ways, digital is good for that in that you can see the results immediately and try something else, but I find that I end up thinking more about the shot in advance, taking it and then moving on. None of this instant replay business. I like the surprise when I find a film and realise I haven’t developed it for several months.

Here’s a few I quite liked from a trip to London (yes, this was the film I found a few months later).

We came across a lovely garden hidden in the middle of Hackney. Turns out pumpkins aren’t just about their colour:

London 2016 003

I liked the juxtaposition of the crumbling bricks, the stone carving and the addition of the modern art:

London 2016 007

I was guessing the light and therefore exposure all the time and this one should probably have been a bit lighter, but I quite liked how the black stands out (it was actually the middle of the day!)

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And this one was a surprise – I really wasn’t sure how it would come out but the texture of the wood and the different shades caught my eye. The way the leaves stand out was not what I had anticipated – sometimes it turns out better than you had thought!

London 2016 010

And you can imagine how happy I was to find this structure outside the Gherkin. A good way to burn half a film. The last one is my favourite. Black and white is great for patterns.

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The food container hovering in the middle was pure luck – I think there’s a hand holding it (all right, there must be one there) but it helpfully blends in to the background.

London 2016 022

London 2016 029

The original idea was to do the project for a year and then either carry on with it or sell the camera. Anything except leave the camera lying in a corner unused somewhere. The beauty of a Leica is that, while it does cost a lot to buy, it doesn’t lose any appreciable value, so you can think of it as having the use of a Leica for free for a year. And the Olympus only cost £50 to begin with. I’m hanging on to them. I am still having fun with this and every once in a while, the Leica just bowls me over. When I get the focus, exposure and composition right, at least. But that’s down to me.

Cheap, cheerful and fun

Last week I mentioned writing with pen and paper, the way it was done for longer than word processors and computers have even existed. Not that anything would ever get published without technology, but there’s a lot to be said for slowing things down and thinking before committing words to paper.

So when it came to our summer holiday, I found myself thinking along similar lines about what camera to bring. There is not a scenario where I go somewhere without a camera of some description, even if it’s just the one in my phone, which has done me more than proud in the past when I suddenly saw something I had to take a picture of. This time, there’s no particular event that requires a particular type of camera, and I’m long since through with the tourist photos of Berlin. So what I wanted needed to be different. And feel different. Oh yes, and not cost much if I wanted to try something else out, mainly because I just want to be able to throw it in a bag and not worry about it, but also because I don’t want to be worrying about someone trying to steal it. So indestructible and small and light and cheap.

Right, that ruled out anything made since I was born then.

Which was just fine with me, because I wanted it to be a film camera, and I’m limited to black and white this time – I have more than enough colour photos of Berlin.

Hello, eBay (please tell me you see the irony of using an internet giant to find something pre-technology).

The answer in the end was really simple.

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A forty year old Olympus with manual focus – just the job. But it also has automatic exposure setting, which should please the rest of the family as I don’t have to mess around with measuring the light all the time. Or guess it, which is a fun exercise.

And for the photo geeks – an f1.7 lens, how good is that?

£80. That was it. About as much as a couple of filters for a Leica.

Plus film is cheap in Berlin (what, you thought I hadn’t checked?) – about a quarter cheaper than the best I can get in the UK. So I don’t even have to take loads of film with me. It turns out Berlin is quite the place for photography. Not sure how I missed that before.

About week after it arrived, I had my first roll of film through it, answering the first question – it’s fun to use. And it just felt right, everything where it should be – and where it used to be when I was first messing around with cameras.

And I managed to get some shots I was pretty happy with. My hit rate was certainly better than I was expecting.

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Yes, it’s hanging off the side of a building.

 

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The side of Edinburgh you don’t see on postcards.